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Posted by Erikarox on 04/30/24 - 09:28:04
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Прикольно!!! Мне все понравились!!!))))
The score was one of my major beefs with the early model of the pilot I saw, and regardless of the re-recording of the principle theme (starting and finish credit -- the end credit weren't even heard on Global Tv in Canada), issues did not enhance a lot, though I notice the music for the Kono striptease scene was changed, made louder and extra intense. The bottom line is: the score for this pilot episode was crap. Just like someone making ready for a first date, you'll expect that the producers would wish to make the best possible impression on individuals with their labor of love. I really should marvel how much of the present's reported $eight million price range was spent on the rating which TWO people worked on, in response to the opening credit -- Brian Tyler and Keith Power. One thing that grabs you in regards to the previous pilot is the score, much of which ended up on the soundtrack album. Can you imagine the same thing occurring for the new pilot's music? I can already see a "Music Inspired By" soundtrack for the brand new Five-zero coming out ... which is a fancy manner of saying a CD with just about no original music on it apart from one or two pieces which had been really heard within the present, just like the iconic predominant theme. The remaining would be full selections of rap and different drivel which was heard for just a few seconds playing within the background. The ending is lame, with the Five-zero staff sitting around in their places of work drinking beer, speaking in regards to the success of their first operation, and attempting to provide you with a reputation for the team. In an early model of the pilot, the phrases "Hawaii Five-0" flashed on the display at the very end (in the broadcast version, it was the govt producers' names), giving some closure to the episode. Overall, I give this pilot two and a half stars. I said earlier that I might give it three if the music was improved, which it was, however only for the Morton Stevens theme. More TRIVIA: - Among the fabric minimize from an early version of the script is a disturbing revelation about who is the mole within the Honolulu Police Department -- Ben Kokua! - In the primary confrontation between McGarrett and Williams, Danno whips out his HPD identification. The gold "badge" is on the left facet, the wrong way up. In the following shot of Danno a number of seconds later, the badge is on the precise of the holder, right aspect up. - Among the music is paying homage to John Powell's scores for the Bourne motion pictures, and -- at the end -- Michael Giacchino's for Lost. - Danno drives a 2011 Ford Mustang 5.0. The ring tone for his ex-wife on his mobile phone is from the shower scene in Psycho. - How did the Five-zero group get surveillance tools -- specifically cameras -- contained in the warehouse the place Sang Min, the individuals-smuggler, has his "workplace"? - At the tip, the Governor is freaking out as a result of the ship where McGarrett's nemesis Victor Hesse is hiding out is "heading for worldwide waters" This isn't right, it's just sitting at the dock. - There's an unbelievable stunt throughout a shoot-out where O'Loughlin leaps over the trunk of a automotive, just when one other car plows into it from behind (the jury is out on how this was completed) and one other eye-boggling action scene when a semi-trailer breaks via the door of Sang Min's warehouse, and some guy in entrance of it's seemingly run over. This driving-by means of-the-door strategy to rescue Kono, who has been identified as a cop, is dumb -- what if Kono was standing in the truck's path? - Concentrate to McGarrett throughout the ultimate scene -- in successive photographs, he's sitting and standing.
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